Not many single words conjure the variety of images that one name does. For more than a century, a loincloth clad, black maned, seriously muscled White Ape swinging through the jungle canopy has engaged the minds of people all over the world. Me included. Yet, in all the years I have fantasized about The Ape-man, Jane seldom figured in my imaginings. That changed three days ago when I began to read Robin Maxwell's 2012 novel Jane: The Woman Who Loved Tarzan. I am now as fascinated as much by her as by him.
Maxwell captivated me in the first paragraphs in which Edgar Burroughs sits enthralled by the "magnificently bold" Jane Porter's presentation at the Chicago Public Library in 1912. I read voraciously, even though I am intimately acquainted with Borroughs' original Tarzan novel having taught it for many years in my American Literature Language Arts classes. I always looked forward to my students' reactions to the conclusion, which is so different ftom the Hollywood and television versions!
When you read the novel, do not skip Maxwell's "Author's Note" at the end. It is an illuminating peek into the psyche of this woman who seems to have much in common with Burroughs' heroine. Both relish the challenges inherent in the vocations they have chosen.
To my amazement, the Disney animated Tarzan more closely echoes the Jane of Maxwell's novel than any other film adaptation. In each, she is a woman caught trying to resolve many quandries in her life: coping with a burgeoning awareness of her sexuality, a Victorian Age enlightened woman ewanting a man's freedom, guilt over fulfilling her academic dreams at the expense of the Mangani, trying to define love.
I read my local library's copy. I have already ordered my own copy, so I can annotate! I know this is a book I will re-read often in my future.